What is it with the Netherlands that makes them produce such great artists? It's like how Iceland is crawling with amazing musicians. It's no surprise then that Netherlands artist Jeroen Allart is such a brilliant painter. Simple lines and colors, smooth shadows, huge blank spaces; they're just incredible paintings. Maybe there's just something in me that loves anything reminiscent of mid-century design or the subtle geometries of Art Deco. Allart has both, but coupled with a modern flair. It's the best of all worlds, and it makes my eyes go funny. I want an entire wall painted by him. [bron]
I love these paintings by jeroen allart so much it's almost hard to breath. I love their flatness, their color, their subject matter, their composition. That's all I have to say. Love, pure and simple.


Clear, simple and colourful: three adjectives that sum up the paintings of Jeroen Allart (b. 1970). His exhibition at the GEM will fill six rooms with highly simplified paintings of landscapes. He has earlier produced humorous paintings not only of cats, rabbits and other animals, but also of cowboys, firemen, windmills and boats. Jeroen Allart’s work has a refreshing lightness of touch. His amusingly simple paintings require no complex explanation. There is almost no other artist who shows us so directly what he wants us to see: a horse’s head, a burly fireman or, as now in the GEM, a landscape.
Landscape painting tends to evoke associations with a past era but these are instantly banished by the first glimpse of Jeroen Allart’s work. His landscape paintings are invariably composed of a number of completely stylised elements – a field, the sky, a farm. Combined with the bright colours he uses, this simple visual idiom gives the landscapes a strong graphic quality. This is no accident: Allart completed a vocational design training for the graphics industry before attending the National Academy of Visual Arts (Rijksacademie) and the Willem de Kooning Academy.
The choice of subject, unfussy shapes and bright colours of the series of landscape paintings to be shown at the GEM give the works a serenity that reflects that of the Groningen landscapes that inspired them.